Memories, exact or inexact, of a New York family.

Happy Birthday, George Harrison

What I hate is the way people say,

George Harrison’s in a better place;

so many places in this world

could have done as well—

if not Liverpool, then London;

if not London, then Delhi;

if not Delhi, then what about Rome?

We could have adorned his house with gold,

laid magic carpeting all across his floors,

hung pictures of sunshine on his every wall,

had flowers flown in from around the world.

And he could have stayed in that spruced-up place

writing songs and playing his guitar

for a good long weeping while.

It would have been that better place—

brighter, cheerier, less sprinkled with dust,

and not so far from us

and not so deep away

and not so covered with earth.

My Last Grownup: for Eileen

I still go to the phone and reach for you—

eight-four-seven before I remember you’re gone;

three-five-eight before I’m sure of it;

seven-zero-five-five just for the comfort

of pretend—my last grownup,

my last big sister, my last voice of reason,

still alive in a glance, a word, a triangle 

of spring across winter sky or memory

—old letters and photographs

of times we knew and didn’t;

 

your words would form lakes in the middle

of a desert or an answer to some riddle of the ages,

or a cup of tea with a slice of toast or history

or light at the end of the proverbial tunnel.

 

Your silence, weighted and dark like wool,

drapes over the end of day,

and still the empty of years, only three,

but still the empty of years;

you believed in angels and goodness

within the pale and beyond all vanity

of our short time here,

the hope of something like ever-after

within the light of darkness.

 

The phone line gone, your words frozen

and hallowed on the lips of the choir—

so all that’s left are these numbers

that used to lead to you—

eight-four-seven before the song is over,

three-five-eight before the music stops forever,

seven-zero-five-five just for the comfort 

of pretend—

Political Cartoons : The New Yorker

ariphoto:

The birthday boy (Taken with instagram)

Bananas & Pears

My grandfather forgot to kill one painting;

it’s hanging here on my wall

—Bananas and Pears—a still life

a life still, but no more.

Before he died, he made many trips

between his upstairs studio

and the garbage bin on the street,

each time carrying one of his paintings

each time depositing his hours,

his life, his work, his remembering

into the garbage on its way to the dump.

And I wonder if there was method to it: did he line his work up  in some sort of order and choose the first painting to die? How about the second or third? How about the fiftieth or the one that made him lose count?

And what of his brain? Did it know what he was doing?

What’s left now is his banana painting hanging at the end of my sofa—cast in green, like his eyebrows, they are bananas and pears and more.

Freud often pounds on my windows and doors begging to come in for a look at all these erectile cylinders, at these hard-green pears and rounded hips and waistlines slender and firm, at the sloping shoulders and searching stems, at stiff anticipation holding its breath, at the pale green apples drenched in light, and the single gray lemon ready to squirt its juice into the foreground night.

But the painting is still—not like life, like death—and my grandfather, undressed and angry still, paints in the green-gray dominance that dulls the light and dries the paint before it has a chance to live—his bananas, his pears, his apples counted among his fruits,

his children, gone too, among his truths.

Hope, Robert, Julian, Scott, James—don’t think there is forgetting in shadows that hang on walls or even in light that tries to blind, that wrings all color from the deadman’s eyes.

Shoes of Fine Green Velvet

For 30 years her shoes of fine green velvet have been waiting for me to make a decision regarding their fate. Occasionally, and always by chance, I find them in a drawer or at the back of a closet, always when I’ve been looking for something quite else. I take them out of their stiff plastic bag and wonder what to do with them.

Read More

Muscles

Muscles. I grew up with muscles—flexed muscles, tattooed muscles, vein-popping muscles, strained muscles, pulsating muscles, and, eventually, sagging muscles, puny muscles, and no muscles at all. Oh, they weren’t my muscles; they were my father’s.

Read More

Even Across the Sky

Cousin Con and Nancy, who could write across the sky.

In a letter, now crumbling and brown,

Amy Tuckfield, who lived in my mother’s old town,

writes that she had it first from Cousin Con

who claims he got it from Uncle Johnny

who confirmed what they already knew:

that my mother intended to become a writer.

“A writer of humorous stories!” writes Amy.

“Oh, you’ve picked the right job alright.

You’ll be a grand success, says Cousin Con.

You can write whatever you will

and wherever you want, even across the sky.”

My mother never became a writer, not even in the end.

Instead, she had three children, sewed dresses and hems,

kept a journal of bills paid, bills owed, of who needed what and when.

For those of you 

who have made it without any help

who have thrashed thorny bushes and brambles aside

smote wildebeests all on your own

carved your initials in the company door

broken glass ceilings on the utmost floor

I unfold this letter, now crumbling and brown,

from Amy Tuckfield, who lived in my mother’s old town.

Hope Taber

I know so little about you, and yet I know so much. I know that you lived and died. I know about the little wooden chair and the tiny doll—your only toys.

I know about your illnesses, your two older brothers, your heavy-hearted hopeless mother who left you, I know not why; and your stone-souled hopeless father who sent you away, I know not why.

Read More

After the Wake

My father showed up, reluctantly, to Al’s wake, looked around for a few minutes, and went back to his drawing board to draw this (and I believe this qualifies as a family story):

Scott Taber 1990

My Mother’s Parties

image

Nancy at the Sink: Dishes and Modigliani, 1971

The people down the block are having a party, a loud party with screams, barbeque smoke, and deafening bass notes that rip up the street like jack hammers. Windows rattle, trembling oaks lean dangerously into the parkway, trying to escape the cacophony; the night impatiently awaits the hour of dawn that will see the festive guests stumble into their own far-away beds under the rising sun. I shut my windows against the cool night breeze, draw the thermal drapes, and turn up the air-conditioner to drown out the noise.

I never go to loud parties, excluding, of course, the occasional wedding reception where guests are held hostage by some intrusive disk jockey whose function in life is to scream at wedding guests to get up from their seats, line up in single file, and snake around the room shimmying to the insistent beat of his amplified boom-box music.

It’s not that I don’t like parties. I grew up in a household where get-togethers were the norm, for my mother, Nancy, loved a good party and could always find an excuse to give one. There were Ground Hog Day parties, Boxing Day parties, birthday parties, cast parties, tea parties, Sunday afternoon parties, and parties just for parties’ sake.

Invitations began with a few phone calls and then took on a life and momentum of their own, streaming in all directions through Nancy’s mismatch of friends and acquaintances. And within an hour or so of the first announcement, everyone we knew, or had yet to meet, was marking the designated date on their respective calendars. 

For at least two days before each gathering, Nancy would set aside her dressmaker work and give herself over to the preparations. Most important was the food, and she’d make a list of all the necessary ingredients, including their cost down to the last penny, and head out for the supermarket pulling her shopping cart behind her.

Then came the cleaning, the scrubbing of floors and washing of windows; the laundering of curtains and slipcovers, the dusting and waxing, so that the house smelled like a copse of pine trees and shone like brushed velvet. The “good” glasses and dinner dishes—all courtesy of Hill’s Supermarket—were washed and stacked on the dining room table. The punch bowl and assortment of matching and almost matching punch cups came out of storage and assumed their pivotal position on the oak buffet in the dining room. The real silverware—a hand-me-down from one of her wealthy customers whose last name must have begun with the letter S—was polished and laid in neat rows along with their mundane cousins, the various and sundry flatware of everyday use.

On the morning of the festivity, Nancy would roll her thick white hair in green rubber curlers and begin preparing the food—potato salad, macaroni salad, green-gelatin salad, turkey, leaf salad, plates of carrots and celery, bowls of walnuts, dates, figs, biscuits, cookies, cakes. And, of course, there was her famous punch, which she made with ginger ale, frozen lemonade concentrate, gin, and strawberries. Everything—except the lemonade concentrate and gin—from scratch. Everything prepared ahead of time so that the only work she’d have to do during the party would be to wash the dishes as they were used and set them out again. No paper plates or plastic anything. That would have been a sacrilege, an insult to the food as well as to the guests.

The festivities were always supposed to begin at eight, but inevitably a few close friends would appear at the door before the official hour. It was often my job to take their coats and lead them to the food and drink while Nancy slipped upstairs to apply the finishing touches of her hostess persona. The trick, she said, was to appear as though she hadn’t lifted a finger all day, that the polished house and dishes of food had done all the work themselves, that her guests should take her cue and bask in the magic of the evening.

The trickle of guests soon turned into a stream, and the house took on a reddish glow as if it had dipped into Nancy’s punch before any of the guests had gotten to it. The windows staring across the night became mirrors filled with chatting people, some balancing plates of food or tall stemmed glasses of wine, others holding up their side of the conversation amid waves of laughter, clinking of glasses, and occasional applause.

Some of the guests claimed a spot on the couch, whose ancient stuffing still exhaled under the slipcovers Nancy had pieced together from leftover fabric. There they would spend the entire evening enlisting a spouse or me to fetch their plate of food or another nice glass of that lovely punch. And did I think Nancy would share her secret recipe? Of course, it was no secret recipe for Nancy always offered to share it with anyone who wanted it, but they asked anyway. Other guests never sat down, and spent the evening flitting from one group to another, chitchatting, gesticulating, making pronouncements about life, literature, or the cost of a Broadway theater ticket.

Nancy spent the first part of the evening in the kitchen washing dishes, sipping her vodka tonic, and shooing away anyone who offered to “help dry.” She didn’t say it in front of her company, but she thought them hopelessly inept as kitchen helpers, always losing one of her good silver forks or breaking one of her precious wine glasses or spilling the salt. She always preferred to do it herself. Nonetheless, she drew people into the kitchen where she held court amid the shushing of running water and tinging of dishes.

The conversations flowed from the personal to the political to the literary and back to the mundane with unaffected ease and completely logical disjointedness. Each time I entered the kitchen with a tray of dirty dishes or empty serving plate in want of a refill, Nancy would be in conversation with yet another of the guests who had joined her entourage at the four-legged double sink. 

No one was left out. She had a sixth sense for loneliness and knew instantly if a guest in another room was left without a conversation partner. And off she’d go to make sure that person came back to the kitchen with her or found a place amid one of the clusters of partygoers.

No matter how many people came, there was always space to breathe. This was, of course, by design. For, before the parties began, the furniture was always rearranged like an ancient Chinese painting, with little islands of positive space, that is, where visitors could sit in groups, and irregular expanses of free space where they could move about, follow their noses to the dining room, or wander into the kitchen.

Nancy didn’t approve of background music, insisting that it interfered with conversation, which was, after all, the main reason for having a party in the first place. Later on, as we three children grew into our late teens and early twenties, she would designate a music floor for us and our contemporaries—usually the basement. But, the music was never so loud as to interfere with our own conversations or with those of the old folks on the floors above.

The young-people part of the house was darker than the rest and more eclectic with its assortment of aging furniture and low-pile carpets, summer sling chairs, and copper piping that coursed along wooden joists. Once in a while, a full-fledged grownup would descend to our cavern and stay for a while before getting bored with our puffy prattle about saving the universe and the need to shave one’s legs if one wanted to appear in public wearing nylon stockings. Sometimes, we’d take out guitars and imitate Joan Baez or Elvis. I tried to imitate Eileen Farrell, but it only made people laugh.

While downstairs had its temporary youthful charms, upstairs was warmer, softer, and better integrated, so all of us eventually came up for air and food and talk. Here we greeted the regulars who showed up year after year—Audrey and Jim Scarr, Rea and Joe Jacobs, “The Countess,” David and Gloria Jackier, Virginia Purvis, Ken Brinsmeade, Larry Forde, John and Joan Maguire, Boris Haimson, Mary Jean Smildsin. There were also the acquaintances and relatives who showed up every now and then. There were her sisters, Josie and Mamie, who lived in Ohio and would occasionally make the trip, especially for Boxing Day. And there were our younger friends—Bill Einhorn, Margita Hatfield, Charles Napoli, Geoffrey, Ann, and Polly Purvis—and new friends, and fleeting friends, and even one or two of my father’s girlfriends. Nancy welcomed them all with equal grace and abundance.

The evening rode on a long wave, beginning with whispers that slowly built momentum and volume, rising to a crescendo between 10 and 11 PM and then, just as slowly, retreating under more subdued waters. That’s when the coffee and desserts came out. Amid the oohs and ahhhs and stirring of spoons against the fine coffee cups from Hills Supermarket, the guests began to say their goodnights. But, always and without fail, there were at least eight or nine who lingered until the small hours of the morning, sipping coffee and taking philosophy, theater, and Nancy’s beloved George Bernard Shaw. This was Nancy’s favorite part of the evening, for it was at this point that she threw off the role of hostess, allowing herself to be waited upon by the remaining guests.

When she died, we didn’t have a funeral for her. Instead, we had a celebration in her honor. The old friends and acquaintances came as usual, and we passed around a book in which people could write their memories of her. Rea Jacobs wrote: “Nancy’s Boxing Day party was the spine on which the year hung limply.”

The people down the block are having a party, and it’s spilling into the street and trampling the marigolds. There’s an argument of some sort; someone just smashed a bottle against the pavement. The angry music continues to suck the air from the night. Tomorrow morning, the line of cars will be gone, the noise will have snuffed itself out, the barbeque smoke will have risen into a gray cloud and washed into the horizon like so much slop, and the cowering ivy along the road will sputter and cough under its blanket of paper plates and glass bottles.

My mother’s parties were designed and executed to bring people together for good food and conversation as well as a sense of belonging to life. The people down the block seem to have planned tonight’s party as a way to escape from life—that’s why they drown themselves in their own noise, scream at one another, and stuff themselves with chips and beer.

I might be accused of romanticizing my mother’s parties of long ago. After all, isn’t that what we all do when someone or something becomes a memory? I might also be accused of not having kept up with inevitable changes in social decorum, of failing to appreciate a new way of manifesting exuberance, in short, of having become an out-of-touch party poop. 

Whether or not I’m guilty of these misdemeanors, I’d rather attend the memory of my mother’s celebrations than open the windows on such a night as this.

Mrs. Johnson’s Daniel

When I was a child, we had a neighbor named Mrs. Johnson. She was an older woman whose cheeks were crisscrossed with furrows and whose large brown eyes were swathed in swollen layers of transparent flesh that seemed always in danger of popping. People said she was far too straightforward and tall too be a true Southern belle—even an over-the-hill one transported by unprincipled fate to our cold North Shore of Long Island. The only thing everyone was certain of was that she was an opinioned grand dame of a woman who knew how to strike a match when she wanted to melt your icy refuge or wield a machete when she wanted to have a swipe at your defending foliage.

Read More

The Pretend Father

George (left) and my father Scott Taber, 40 years after bumping into each other.

When we were kids, our family’s favorite visitor was soft-spoken man with a contagious laugh and a Midwestern drawl named George W. Booth. His visits, first to our apartment on 38th Street in Manhattan and then to our house on Woodbine Avenue in Northport, NY, meant that the heavy air of every day would be lifted for the duration of his stay—an excellent reason for my brother, sister, and me to find excuses to get him to stay longer. We knew he liked to eat so we usually offered him food. And when he had had his fill, I’d sit on his lap and stare at him so he’d have no choice but to stay put. Eventually, however, he’d pry himself loose—usually with my mother’s encouragement—and we kids would give up all pretence and resort to begging.

Read More

Claire’s Destiny

Claire Bonar Taber Simek, ca. 1927  

I never knew this young woman. I try to step beyond the sepia finish to meet her, but the barrier is more forbidding than its cracked veneer would suggest. It keeps me at an eon’s length. There’s something sad about this woman. Something defiant, too. I’ve inherited some of her genes—not too many, I used to hope. The string of faux pearls must have been provided by the photographer as was the faux-fur stole, the makeup, the hairstyle, the careful lighting. It must have been an expensive sitting, but I have no idea where she would have gotten the money.

Read More

Letters from My Grandmother

23 North Wallis /Chichester, Sussex England

08 August 8 1916

My Dearest Winnie,

Our darling Paddy was killed in action on July 11th, the day before Dadda’s birthday. I hope Grandpa, Dadda, James Arthur, Aunt Ansty, Ned Neill and he spent the day in Heaven with our dear ones, R.I. P.

The Chaplain sent me his book and photos and badges of the Sacred Heart that you and I sewed in his clothes to take him safely through the battle. He is now safe from sin and sorrow and my poor heart is broken, although I am proud of my noble hero. For me he lived, and for my little ones he died. God rest his soul.

Read More